Rhetorical Analysis Of Just Walk On By Brent Staples

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Brent Staples, in his article, “Just Walk on By: Black Men and Public Space,” reflects on the issues of false snap judgements, race, and gender. A victim of racial profiling, Staples asserts that first impressions as well as racial stereotypes are inaccurate. Through the usage of pathos, ethos, and logos, Staples convinces the audience that as a result of misleading snap judgments and stereotypes, black men are unfairly perceived as threats.
Staples makes strong appeals to pathos by evoking sympathy through the use of emotionally-charged and ironic words and phrases. Staples notes that he was “a broad six feet two inches with a beard and billowing hair” and his “first victim was a woman.” The deceptive description of Staples as a perfect, menacing criminal along with the word “victim” causes readers to falsely conclude that Staples assaulted the woman, a result of the predisposed notion that
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He points out facts about crime rates: “...young black males are drastically overrepresented among the perpetrators of...violence.” By eliminating the statistics, Staples implies that such a statement is widely accepted—with or without the numbers. In this way, it is shown that racism and unnecessary paranoia of black men is inherently a fact. Observing that racism is too deeply ingrained for it to be eliminated promptly, Staples attempts to understand the whites’ perspective in order to find a solution to the prejudice. This logical thinking leads to a sound solution: Staples relates how he eases the concerns of nervous people; he converts tense situations into amicable ones. For instance, he employs “what has proved to be an excellent tension-reduction measure: ...[whistling] melodies from...popular classical composers,” something society believes black criminals would never do. By using logical reasoning and evidence, Staples ultimately strengthens his logos

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