One way he tortures himself is by whipping himself. “In Mr. Dimmesdale’s secret closet, under lock and key, there was a bloody scourge” (217). The reverend held late night vigils to ensure he did not get enough sleep, which was detrimental to his health. He “kept vigils, likewise, night after night, sometimes in utter darkness, sometimes with a glimmering lamp, and sometimes, viewing his own face in a looking-glass, by the most powerful light which he could throw upon it” (218). A third way Arthur Dimmesdale tortures himself is to constantly remind himself of his sin. For example, the walls of his room contain a depiction of one of the greatest stories of adultery. “The walls were hung round with tapestry, said to be from the Gobelin looms, and, at all events, representing the Scriptural story of David and Bathsheba” (188). Altogether, Dimmesdale shows great sin because he would rather torture himself in private than confess himself as an
One way he tortures himself is by whipping himself. “In Mr. Dimmesdale’s secret closet, under lock and key, there was a bloody scourge” (217). The reverend held late night vigils to ensure he did not get enough sleep, which was detrimental to his health. He “kept vigils, likewise, night after night, sometimes in utter darkness, sometimes with a glimmering lamp, and sometimes, viewing his own face in a looking-glass, by the most powerful light which he could throw upon it” (218). A third way Arthur Dimmesdale tortures himself is to constantly remind himself of his sin. For example, the walls of his room contain a depiction of one of the greatest stories of adultery. “The walls were hung round with tapestry, said to be from the Gobelin looms, and, at all events, representing the Scriptural story of David and Bathsheba” (188). Altogether, Dimmesdale shows great sin because he would rather torture himself in private than confess himself as an