During this period, there was Apollodorus of Damascus used brick-faced concrete to transform the Quirinal Hill overlooking Trajan’s Forum into a vast multilevel complex of barrel-vaulted shops and administrative offices. There is also column of Trajan, The spiral frieze of Trajan’s Column tells the story of the Dacian wars in 150 episodes. The reliefs depicted all aspects of the campaigns, from battles to sacrifices to road and fort construction. There was also Al- Khazheh. This is a prime example of Roman “baroque” architecture. The designer used Greek architectural elements in a purely ornamental fashion and with a studied disregard for Classical rules. During the Antonina time, there was COLUMN OF ANTONINUS PIUS, which is representation of the joint apotheosis of Antonina's Pius and Faustina is firmly in the Classical tradition with its elegant, well-proportioned figures, personifications, and single ground line. At the end there were Constantinian coin, These two coins underscore that portraits of Roman emperors were rarely true likenesses. On the earlier coin, Constantine appears as a bearded tetrarch. On the later coin, he appears eternally
During this period, there was Apollodorus of Damascus used brick-faced concrete to transform the Quirinal Hill overlooking Trajan’s Forum into a vast multilevel complex of barrel-vaulted shops and administrative offices. There is also column of Trajan, The spiral frieze of Trajan’s Column tells the story of the Dacian wars in 150 episodes. The reliefs depicted all aspects of the campaigns, from battles to sacrifices to road and fort construction. There was also Al- Khazheh. This is a prime example of Roman “baroque” architecture. The designer used Greek architectural elements in a purely ornamental fashion and with a studied disregard for Classical rules. During the Antonina time, there was COLUMN OF ANTONINUS PIUS, which is representation of the joint apotheosis of Antonina's Pius and Faustina is firmly in the Classical tradition with its elegant, well-proportioned figures, personifications, and single ground line. At the end there were Constantinian coin, These two coins underscore that portraits of Roman emperors were rarely true likenesses. On the earlier coin, Constantine appears as a bearded tetrarch. On the later coin, he appears eternally