Renaissance: Linear Perspective Essay example

1759 Words Nov 23rd, 2013 8 Pages
Renaissance: Linear Perspective
Maurice Young
ART/101
July 21, 2013
Sara Shreve

Renaissance: Linear Perspective
One of the major roles of the artist is to enable the viewer to see the world in a new and innovative way. This task was a major challenge for the Renaissance artist before the 14th century on account of the artist not having the eyes to see or the skills to introduce the world to linear perspective. Smarthistory (2013) states that linear perspective “creates an illusion of space from a single, fixed viewpoint. This suggests a renewed focus on the individual viewer, and we know that individualism is an important part of the Humanism of the Renaissance” (para. 3). Although beautiful and true to the style of the
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[pic]
Fig. 2
1425
The Baptism of the Neophytes
Masaccio
Oil on canvas
Brancacci Chapel, Santa Maria Del Carmine
An example of his implementation of linear perspective would be The Baptism of the Neophytes. Masaccio paintings were said to have lots of volume and depth because of how his mountains and buildings diminish into the distance making the painting come alive. Although classically painted in the religious style of the times, In The Baptism of the Neophytes, The viewer can see linear perspective by the mountains and human figures overlapping and receding into the distance which leads to the “vanishing point”. Masaccio also depicts real human emotion to a real human event in his painting with lots of movement (Art and the Bible, 2005).
Leonardo da Vinci (1452-1519) was known as the master of linear perspective who’s most famous paintings that he skillfully applied the technique are The Last Supper and the Mona Lisa.
[pic]
Fig. 3
1495-1498
The Last Supper
Leonard da Vinci
Tempera on gesso, pitch and mastic
Santa Maria delle Grazie, Milan
In The Last Supper, Da Vinci introduces one- point linear perspective which Dictionary.com (2013) defines as an artist technique to display three-dimensional figures and space on a two-dimensional surface. In Da Vinci’s painting, The Last Supper analyses have…

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