Red room is the bedroom where Jane’s uncle died. Red room described its haunted atmosphere of fear by the description of the physical aspects of the room because of the Gothic status of this novel. But some critics argue that red room was a symbol of womb for Jane in order to reborn as an obedient child, that is why she was locked in red room. First stage of Jane’s life with Reed family was very passionate and angry. “‘Wicked and cruel boy!’ I said. ‘You are like a murderer-like a slave-driver—you are like the Roman emperors!’” (Bronte 8). Fire is a symbolic of her emotions, which shows her internal anger when she called cruel and murderer to her cousin John Reed because she is an orphan and poor child. She is a picture of passion who always ready to attack on her cousin. In the Reed house, when Jane is reading Bewick’s History of British Birds while sitting in a window with "folds of scarlet drapery” enclosing her from the right and “clear panes of glass, protecting, but not separating her from the drear November day" at Gateshead Hall (Bronte 1). The cold and wet window with red curtains depict the theme of fire and water. Solomon argues in his article Jane Eyre: Fire and Water that fire and water are two symbols which show the character of Jane, and her strengths and weaknesses which depend on the location and the characters around her. She is an absorbent personality, who is influenced by these dominant tropes that lie within certain characters of the novel, but she is never fully controlled by any of them. It is this duality within her that allows her to escape both extremes, the fiery Edward Rochester and the ice-cold St. John Rivers, and to finally land in a “golden mean” between “the flames of passion and the waters of pure reason” (Solomon 217). These images of fire and water are located in five different places in the novel. Fire
Red room is the bedroom where Jane’s uncle died. Red room described its haunted atmosphere of fear by the description of the physical aspects of the room because of the Gothic status of this novel. But some critics argue that red room was a symbol of womb for Jane in order to reborn as an obedient child, that is why she was locked in red room. First stage of Jane’s life with Reed family was very passionate and angry. “‘Wicked and cruel boy!’ I said. ‘You are like a murderer-like a slave-driver—you are like the Roman emperors!’” (Bronte 8). Fire is a symbolic of her emotions, which shows her internal anger when she called cruel and murderer to her cousin John Reed because she is an orphan and poor child. She is a picture of passion who always ready to attack on her cousin. In the Reed house, when Jane is reading Bewick’s History of British Birds while sitting in a window with "folds of scarlet drapery” enclosing her from the right and “clear panes of glass, protecting, but not separating her from the drear November day" at Gateshead Hall (Bronte 1). The cold and wet window with red curtains depict the theme of fire and water. Solomon argues in his article Jane Eyre: Fire and Water that fire and water are two symbols which show the character of Jane, and her strengths and weaknesses which depend on the location and the characters around her. She is an absorbent personality, who is influenced by these dominant tropes that lie within certain characters of the novel, but she is never fully controlled by any of them. It is this duality within her that allows her to escape both extremes, the fiery Edward Rochester and the ice-cold St. John Rivers, and to finally land in a “golden mean” between “the flames of passion and the waters of pure reason” (Solomon 217). These images of fire and water are located in five different places in the novel. Fire