The signature sound of Red Hot Chili Peppers has generated long-standing radio staples during their long career in the Rock and Roll Hall of Fame career. The known Flea bass sound, Anthony Kiedis rhythmic patter and Chad Smith’s funky beating the drum have create a unique sense that has served the band well, but with The Getaway, it seems that the Chili Peppers show that they have some new tricks up their Rock and Roll Hall of Fame sleeves.
For their latest effort, the band collaborate with producer Danger Mouse, who has been successful as an artist in the band Gnarls Barkley and Broken Bells. I feels like Danger Mouse have a direct impact, influence or the band writing materials works with him in mind to produce, it looks like a perfect fit. Note that this is not the Red Hot Chili Peppers high …show more content…
"The Getaway", "Dark Necessities" and " We Turn Red" feels as if they could float in the evening air as you head out for fun, while "Encore" "The Hunter" and " Dreams of the Samurai” feel like the late night cool down.
For those looking for something a little harder, dig in to the dark but energetic "Detroit", a track with a Jane’s Addiction-esque vibe towards the end of the song, followed by "The Ticonderoga" which I arguably choose as the heaviest song on the album with a driving guitar leading the way. Other highlights aside from "Dark Necessities" and the preview tracks "The Getaway" and "We Turn Red", include the slow-building "Goodbye Angels", which is somewhat reggae-tinged " Feasting on the Flowers l" Feasting on the Flowers” that turns more anthemic by its conclusion and the soulful and reflective “The
For their latest effort, the band collaborate with producer Danger Mouse, who has been successful as an artist in the band Gnarls Barkley and Broken Bells. I feels like Danger Mouse have a direct impact, influence or the band writing materials works with him in mind to produce, it looks like a perfect fit. Note that this is not the Red Hot Chili Peppers high …show more content…
"The Getaway", "Dark Necessities" and " We Turn Red" feels as if they could float in the evening air as you head out for fun, while "Encore" "The Hunter" and " Dreams of the Samurai” feel like the late night cool down.
For those looking for something a little harder, dig in to the dark but energetic "Detroit", a track with a Jane’s Addiction-esque vibe towards the end of the song, followed by "The Ticonderoga" which I arguably choose as the heaviest song on the album with a driving guitar leading the way. Other highlights aside from "Dark Necessities" and the preview tracks "The Getaway" and "We Turn Red", include the slow-building "Goodbye Angels", which is somewhat reggae-tinged " Feasting on the Flowers l" Feasting on the Flowers” that turns more anthemic by its conclusion and the soulful and reflective “The