He had created three different interpretations of this story, but the one on display in Paris at the Louvre sparks the most interest due to its unusual focus. As seen in Fig. l, Poussin's Eliezer has the identical pose as Tito ’s, demonstrating a relaxed, contrapposto stance; however, the way he positioned Rebecca made her seem much more open and relaxed with a greater variance in her facial expression. Furthermore, Poussin did not add two fairly important symbols in this piece: the camels that accompany Eliezer along with his followers who carry the gifts for Rebecca from the story. In fact, Eliezer is the only male figure in Poussin‘s piece. Although the two painters created an art piece based on the same exact story, their interpretations were different due to the respective regions they had studied art. Santi di Tito did all of his studies in various cities throughout Italy under different
He had created three different interpretations of this story, but the one on display in Paris at the Louvre sparks the most interest due to its unusual focus. As seen in Fig. l, Poussin's Eliezer has the identical pose as Tito ’s, demonstrating a relaxed, contrapposto stance; however, the way he positioned Rebecca made her seem much more open and relaxed with a greater variance in her facial expression. Furthermore, Poussin did not add two fairly important symbols in this piece: the camels that accompany Eliezer along with his followers who carry the gifts for Rebecca from the story. In fact, Eliezer is the only male figure in Poussin‘s piece. Although the two painters created an art piece based on the same exact story, their interpretations were different due to the respective regions they had studied art. Santi di Tito did all of his studies in various cities throughout Italy under different