William Egginton: Film Analysis

Great Essays
William Egginton has given a comprehensive analysis of film in which he argues that “this thematic convergence is not new, but is rather the logical extension of a narrative trope whose history predates the invention of film and, in fact, reaches back to the invention of theater in the 16th century”.
William states that what film has brought into the picture at the end of this century is the possibility that the circle will become complete, that the represented reality will cross the threshold that constitutes it, thereby contaminating our reality.
Realism versus illusionism
To illustrate the distinction between Realism and Illusion, he uses the Blair Witch Project, which was released in the summer of 1999. In the film, terrified viewers believed
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On March 18, 1600, Catalina runs away from the convent and fashions herself a suit of male clothes out of her convent garments. Thus she begins her life as a man.
She obtains a number of jobs, including one as a page for the king’s secretary. While in his employ, she encounters her father, who is petitioning for help in finding his missing daughter. Her father does not recognize her. She again tempts fate and returns to her old convent for mass, where her mother is in attendance. Catalina’s mother also does not recognize her.
Catalina’s journeys through the New World begin when she meets her uncle, a sea captain who, not recognizing her, signs her on as a ship’s boy. Eventually Catalina flees the ship, stealing money from her uncle as she leaves for Panama, and embarks on a series of jobs and adventures. A number of violent episodes ensue, which often lead Catalina to flee into a local church for safety. At that time, police were barred from invading the sanctity of a church, thus granting criminals inside sanctuary. Catalina’s tendency to get into violent and criminal scrapes leads her to take frequent advantage of this legal

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