The reader is constantly made aware of his inner thoughts and emotions to the extent that one gets a sense of uneasiness just reading the book. One such example of the kind of intimacy one gets with Raskolnikov is seen when he thinks “Why am I going there now? Am I capable of that? Is that serious? It’s simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything.” (Dostoevsky 2) Not only does the reader see the ambiguity of what “that” is to Raskolnikov, the reader also sees how conflicted Raskolnikov is with himself. In a matter of of 5 sentences, Raskolnikov shows fear twice, questions said fear once, and reassures himself twice. This is the type of inner war Raskolnikov fights seemingly every second of everyday and plays a vital role with his moral confections after his
The reader is constantly made aware of his inner thoughts and emotions to the extent that one gets a sense of uneasiness just reading the book. One such example of the kind of intimacy one gets with Raskolnikov is seen when he thinks “Why am I going there now? Am I capable of that? Is that serious? It’s simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything.” (Dostoevsky 2) Not only does the reader see the ambiguity of what “that” is to Raskolnikov, the reader also sees how conflicted Raskolnikov is with himself. In a matter of of 5 sentences, Raskolnikov shows fear twice, questions said fear once, and reassures himself twice. This is the type of inner war Raskolnikov fights seemingly every second of everyday and plays a vital role with his moral confections after his