Pentheus assumes the exact identity that he hates and fights against. Not only does Pentheus disguise himself as a woman, he worries about his appearance as his hair had been “jostled..out of place” and turns to Dionysus to “fix it since [he] gives [himself] up” to the god (4.1.931-934). Evidently, one purpose of the chorus is to remind the audience that, like Pentheus, they too can be tempted by the slightest inkling to let loose. Pentheus is obsessed with the notion that the women are constantly sexual beings in saying that “like birds in a bush, I reckon they are in the thickets held fast in the sweetest snare of love-making” (4.1.957-958). As he contemplates the actions of the women, it is obvious to the audience how a part of Pentheus longs to partake in such activities at his leisure. Ultimately this is one’s downfall as, it is only a matter of time until one sole moment pushes one over the edge after suppressing one’s passions and desires for so
Pentheus assumes the exact identity that he hates and fights against. Not only does Pentheus disguise himself as a woman, he worries about his appearance as his hair had been “jostled..out of place” and turns to Dionysus to “fix it since [he] gives [himself] up” to the god (4.1.931-934). Evidently, one purpose of the chorus is to remind the audience that, like Pentheus, they too can be tempted by the slightest inkling to let loose. Pentheus is obsessed with the notion that the women are constantly sexual beings in saying that “like birds in a bush, I reckon they are in the thickets held fast in the sweetest snare of love-making” (4.1.957-958). As he contemplates the actions of the women, it is obvious to the audience how a part of Pentheus longs to partake in such activities at his leisure. Ultimately this is one’s downfall as, it is only a matter of time until one sole moment pushes one over the edge after suppressing one’s passions and desires for so