For the Rockefellers who commissioned the development of the site and its public art, the play displays Prometheus’ love and preference to mankind as he selflessly gives fire, or the knowledge of the gods (and therefore civilization) to humanity. Nelson Rockefeller sought out the famous Mexican painter Diego Rivera to paint a mural, Man at the Crossroads, in the past RCS building lobby. However, Rivera was publically socialist and had painted an image of the communist leader Vladimir Lenin into the fresco. When he refused to remove the image, the current Rockefeller had it covered, destroyed and replaced by a more democratically themed painting by Josep Maria Stert, called the American Progress, which portrayed a scene of men building a modern America in allegorical
For the Rockefellers who commissioned the development of the site and its public art, the play displays Prometheus’ love and preference to mankind as he selflessly gives fire, or the knowledge of the gods (and therefore civilization) to humanity. Nelson Rockefeller sought out the famous Mexican painter Diego Rivera to paint a mural, Man at the Crossroads, in the past RCS building lobby. However, Rivera was publically socialist and had painted an image of the communist leader Vladimir Lenin into the fresco. When he refused to remove the image, the current Rockefeller had it covered, destroyed and replaced by a more democratically themed painting by Josep Maria Stert, called the American Progress, which portrayed a scene of men building a modern America in allegorical