In all of the couples getting married by the end of the picture it becomes a clear attempt to unite the classes, suggesting similarities and common goals between the classes for men and women where we can see a clear shift in social structure. Jane Feuer uses the term ‘myth of integration’ to refer to the way that, as musical numbers become integrated into the film we are given the sense that, “all successful performances, both in art and in life, are condensed into the MGM musical” (Feuer, p. 443). This is also achieved in relation to class issues in Gold Diggers of 1933 as high society, represented through the upper-class characters, is shown at first to be separate from popular society, yet by the end of the film becomes integrated into that society. This integration occurs when each of the upper-class men marries one of the showgirls. The integration of high society at a general level can be seen, perhaps in a half-mocking tone, in the…