Power In Ovid's Metamorphoses

In Ovid’s Metamorphoses, the story of Apollo and Daphne exhibits a strong sense of control, power, and dominance. There is a division of power distinguished between Apollo and Cupid, as well as between Apollo and Daphne. This is expressed many times through the alliteration, catalogues, and metaphors used throughout the text, as well as in the symbolism that occurs in this story. ALLITERTION While Apollo is calling out to Daphne, he uses catalogues in an effort to convince her of who he is, and who he is not. He challenges her to “ask [herself] who finds [her] so attractive” and goes on to tell her himself (l. 707). Apollo begins by affirming that he is not a caveman, nor is he a shepherd boy (l. 708). He continues to tell Daphne who he …show more content…
However, because of the arrow that Cupid inflicted him with, even in her most unlovable state, he is still drawn to her. As she transforms into a Laurel, Apollo “put his right hand against the trunk” and “feel[s] her heart as it beat[s] under the new bark” (l. 763-765). He even “puts his lips against the wood” and kisses Daphne (l. 767). Apollo, clearly aware of Daphne’s opposition toward his affection, continues to touch her even when she is no longer able to resist his attempts. Given her tree-like form, the symbolism in this may not be as evident, but were Daphne to be her normal, human self, it would be clear that Apollo is forcing himself upon her. His ability to do so is establishing his sense of power and control over her as she is unable to escape from his touch. Apollo is taking advantage of her inability to resist him, and is taking her for himself. He goes on to tell her that although he is unable to marry her, she “will be [his] own tree,” despite the absence of her compliance (l. 770). With this, Apollo is once again asserting his dominance over