19th century critics portray Jane Eyre both as a feminist and Chartist manifesto. Through the heroine’s character, Brontë expresses how feminine power and independence are important, and they are seen especially during the moment when Rochester and Jane are married, and she becomes “her own mistress” (Brontë 246). She claims at that moment that she will not depend on him. If we look at the end of the novel, the gender roles are somewhat reversed, by Rochester depending on Jane to be his eyes and his hands. At a time when the simple word feminism was never heard, through Jane’s character Brontë expresses the notion that “women feel just as men do” (Brontë 77), and the fact that women cannot live a life that is forged into “stagnation” and “rigid…
Jane is entirely dependent on Rochester for her own happiness which is not a healthy way to have a relationship. Walking into the marriage Jane knows that Rochester has had mistresses in the past but she seems to be okay with that. Then when Rochester is outed as having his crazy wife Bertha locked away she knows that she can not marry him while the wife is still around but she loves Rochester all the same. I think that all of this shows the repercussions of Jane not having a solid father figure during her childhood. She has no idea what to expect from a husband and she fell for the first man to give her attention.…
In all these circumstances she found the family she always wanted. Jane’s circumstances changed; they allowed her to find a home, love, and a family. Jane was no longer rebellious and bitter. Her new circumstances brought her happiness. All this was possible because of Rochester, the man who was once just an employer.…
Jane met the owner of Thornfield, Mr Rochester. Who later on loved jane and proposed to her. Love is what changed Jane’s life, the feeling of being loved and cared about really had an effect of her as a person. Despite her depressing childhood, she learned to love and care about…
In the novel Jane Eyre by Charlotte Brontë, a young orphan girl named Jane Eyre is unfairly and unequally treated by Mrs. Reed. Jane feels inferior compared to Mrs.Reed’s children and is spoken to as if she is a misfit child. This chapter of the novel has imagery and dialogue that expresses how Jane is being constrained and imprisoned by Mrs.Reed. Jane introduces this chapter with an imagery that describes her emotions. She describes that particular day with “the cold winter wind ...with its clouds so somber and rain so penetrating…”, which expresses her inner feelings of loneliness and helplessness.…
In Charlotte Brontë’s novel Jane Eyre, Mr. Rochester tries in vain to convince Jane to stay with him even though he has a living wife; he gives a heartfelt plea that is almost pityingly vulnerable in its honesty, but Jane’s integrity keeps her passion in check and she remains unswayed by his revelations. Meanwhile, Mr. Rochester, in damning the women he’d kept as mistresses, damns himself to a life apart from Jane, devoid of love and joy, by steeling her resolve to leave him and not become the successor of “[those] poor girls” (Brontë 337), thereby intimating the self-destructive nature of exploiting fellow humans. Leading up to the lengthy monologue during which he explains how he came to love Jane, Mr. Rochester describes his previous engagements with the likes of Céline, Giancinta, and Clara, reviling the three of them and saying of the latter two, “What was their beauty to me in a few weeks” (336)? When Jane questions his judgment and moral backbone, Rochester accedes, “It was a grovelling…
“This life”, she passionately begins, “is hell [...] I have a right to deliver myself from it if I can” (355). One can vividly see the worthlessness of the wealth that would have firmed Jane’s shaky status upon wedding Mr.Rochester. The reason for this being Bertha Mason’s presence in her fiancé’s attic. Jane does not see herself as a mistress nor does she want to build a family with a man that belongs to another woman.…
Jane begins to plan to leave Thornfield to start a new life away from Rochester and his upcoming wife. When she tells him of her beginning to stretch her wings to fly from his house, he grows distressed and states, “Jane, be still, don’t struggle so like a wild, frantic bird, that is rending its own plumage in its desperation,” (Bronte, 253). Rochester uses wild and frantic to depict a negative connotation to her desired freedom. Furthermore, he is attempting to submit Jane to not leave him and Thornfield by shutting down her thoughts and passions. In conclusion, Rochester had first displayed welcoming to her personality to expand, but as anger overtakes him, he displays a man to disagree with equal rights to women: showing his true intentions to only allow Jane to fly to his desires alone.…
While Bertha is kept physically restrained, Rochester is emotionally locked up since he cannot be with the one he loves. Bertha’s physical power over Rochester, and Rochester’s situational power over Bertha generates an ongoing shift in…
Prostitute. A loaded word, a taboo social construct—but what exactly is a prostitute? According to twenty-first century Merriam Webster—Urban Dictionary—a prostitute is “a woman who sells her body to a variety of creeps, low-lifes, and degenerates.” Another, perhaps more verbose and subjective definition is “someone who sells their own personal morals and/or values for the idea of money, not necessarily for sex.”…
Rochester takes interest in Jane and Blanche Ingram. Informed about their wedding and overtaken by jealousy, Jane reminds herself that “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Brontë 322). Jane realizes that the need for another person in her life to rely on is optional and unnecessary to live contently. Jane hides her feelings for Rochester and lives on exercising independence and her need only for God and her Christian beliefs.…
When Jane first sees Mr. Rochester at Thornfield after he fell of his horse,…
However, just as had told her aunt, “You think I had no feelings, and that I can do without one bit of love or kindness, but I can’t live so, and you have no pity.” (Brontë 64) At best, Jane had waited for the moment that she knew she could not live life in complete misery without her love. Furthermore, when in search of Mr. Rochester and finding out his condition, Jane additionally felt better knowing that in society’s eyes they would be seen as equals for he was crippled and blind. Not making anything better for society, but in Jane’s search of equality in the eyes of everyone and in her pursuit of independence and true…
She makes this bold statement to the reader to reassure that her feelings are intact and must be understood. This aside shows the reader that Jane can have strong feelings and be able to understand them even if she does not understand her true desires. She is stating she has feelings for Rochester and desires him in a very unconventional manner. This desire is something she has not experienced; it is almost sexual, which is outside of the realm of experiences she has had. This aside also shows how Jane is confiding her feelings and being vulnerable to…
When an orphan girl is placed into the home of unloving relatives, most would argue that the child would be negatively affected by her experience. However, this is not the case for Jane, the protagonist of Charlotte Bronte’s Jane Eyre. The story begins in Jane’s childhood while she is living with the Reed family, her aunt and cousins. Her family treated her just as a servant would be treated, thus Jane felt like she did not belong. The novel follows Jane through her life as she goes to school, then begins her employment at Thornfield as a governess.…