The illustration of relentless, mental torture is conveyed through detailed and oppressing suspense, hence depicting a tone of horror. The audience hears the internal horror of the first person narrator and experiences the torture as he does. Along with devices such as suspense, Poe consistently tortures the narrator physically and mentally, allowing the character to “vent in one loud, long, and final scream of despair” as he is about to be killed (56). Also, the contribution of mental suspense adds a tone of inevitable death to the story. In one case, the unnamed narrator realizes that “the [pendulum] was designed to cross the region of [his] heart” (52). The author juxtaposes the tone of inevitable death that is just moments away. Furthermore, an internal conflict arises while the protagonist “could no longer doubt the doom prepared for me by monkish ingenuity in torture” (51). The narrator must be mentally terrorized by the verification of his death
The illustration of relentless, mental torture is conveyed through detailed and oppressing suspense, hence depicting a tone of horror. The audience hears the internal horror of the first person narrator and experiences the torture as he does. Along with devices such as suspense, Poe consistently tortures the narrator physically and mentally, allowing the character to “vent in one loud, long, and final scream of despair” as he is about to be killed (56). Also, the contribution of mental suspense adds a tone of inevitable death to the story. In one case, the unnamed narrator realizes that “the [pendulum] was designed to cross the region of [his] heart” (52). The author juxtaposes the tone of inevitable death that is just moments away. Furthermore, an internal conflict arises while the protagonist “could no longer doubt the doom prepared for me by monkish ingenuity in torture” (51). The narrator must be mentally terrorized by the verification of his death