Susan Sontag’s incredible, outlook of photography doesn’t just cast into uncertainty the value of activity the camera has become to modern culture, but the changes the coming of this innovation had on our society and how we experience it. One of her established positions is her perspective on photography lacking an artistic meaning because it indulges in capturing generic “altered” photographs in order to make it look aesthetically pleasing. To contradict Sontag’s concept of photography, the camera isn’t just a tool to impose a way of seeing but a way to “make” photography rather than “take” an imagery. While Sontag’s astute compelling insight asserting photography’s inherent aggression to cultural aspects, photography still allows for appreciation
