Riley also mentions that “in much of the same way, Christopher Reeve and Michael J. Fox have been pigeonholed by print and television hagiographers as lab experiments and tragic heroes” (537). Both of these situations appeal to logos because Riley uses real personal examples of celebrities about how they are not seen as a person despite their disability. This attestation gives the audience a clear argument to the fact that disabled people are being shown in a twisted
Riley also mentions that “in much of the same way, Christopher Reeve and Michael J. Fox have been pigeonholed by print and television hagiographers as lab experiments and tragic heroes” (537). Both of these situations appeal to logos because Riley uses real personal examples of celebrities about how they are not seen as a person despite their disability. This attestation gives the audience a clear argument to the fact that disabled people are being shown in a twisted