Film Noir includes dark, suspense-filled and thrilling mysteries. They are usually ambiguous, pessimistic and emphasize the isolated feel of the modern cities. The usage of low-key lighting and dark colors to create high contrast on screen is very common. Low-angle shots and Dutch camera angles, which are shot with tilted camera angles, are used to portray tension. Instead of showing a person directly, they commonly used disorientation and showed people reflected in a mirror.…
The cinematographer that I have decided to research is Jeff Cronenweth; he is famous for movies such as Gone Girl, Fight Club, The Girl with the Dragon Tattoo, The Social Network, and Hitchcock. He was born and raised in Los Angeles, California and currently resides in California. Jeff Cronenweth is very talented in many ways when it comes to cinematography, his craft and eye for cinematography separates him from the rest. Jeff with many of his movies are one colored, he usually uses green tones and yellow hues to dictate a theme in many of his movies. You can clearly see a pattern when it comes to the movies that Jeff works with.…
The lighting in specific scenes is very interesting. The…
This technique of using one strong light source, was also mimicked in other film noir scenes in the movie. In addition to this, film noir scenes like…
Throughout the film’s entirety, The Graduate leaves audiences with an inherent sense of lack of direction. Ben questions whether he should accept Mrs. Robinson’s invitation for him to sleep with her. He is confused if he should pursue Elaine against the wishes of Mrs. Robinson. When Ben and Elaine leave the church, this inkling of uncertainty becomes clear after he crashes her wedding. As they sit on the bus, the shot shows a sweaty, dirty Ben and Elaine in her wedding dress.…
Most of the interiors like in the wife’s house, shot 3, and the office, shot 16 and 21, are low-key lighting with high contrast. Exceptions can be made for the gambling room (shot 4) and one of the office rooms, where the light was generally…
$33,262,416 may seem like a big number to some, but not to Tim Burton, expert director, screenwriter, and producer. This number is simply the average box office gross for his films. Many people have enjoyed his films throughout the decades because of how odd they are compared to the normal chick-flick or adventure movie. By using distinct cinematic techniques such as lighting and camera angles, Tim Burton creates a unique and awe-inspiring mood. Not many people notice the lighting in a movie right away, but it definitely contributes to the overall experience of a scene.…
Bart Layton’s documentary film “The Imposter” employs many film techniques in peaking the curiosity of the audience while telling the story of one man who managed to lie his way into America. “The Imposter” based on a true story, found Frédéric Bourdin, a skilled serial imposter sneaking into America by impersonating Nicholas Barkly, a boy who has been listed as missing for many years. In keeping the audience curious throughout the documentary Layton uses such film techniques as lighting where Layton controls what is depicted in each scene and in what manner by how the lighting displays the scene. As well as the sound design in which purposely placed SFX (Sound Effects) and music are used to highlight or build up an important moment. Which…
Lighting also helped in enhancing the set of the movie by giving us the awareness of the time of…
In the film, Imitation of Life, director Douglas Sirk utilizes the visual elements of mise-en-scene to affect viewers emotionally when presenting them with life’s limits of race. Throughout the film Sirk provides the viewer with a particular perspective of American life during the 1950’s. There are specific conventions and mise-en-scene devices that Sirk employs which are conducive to displaying the limitations of race. An example being, the scene where Annie and Sarah-Jane first arrive at Loren’s home and Susie invites Sarah-Jane to play dolls.…
Wes Anderson brilliantly uses the technique of mise-en-scene throughout his film Moonrise Kingdom to create a film where each scene has a feeling of a moving painting. Anderson’s deep understanding of mise-en-scene enables him to truly have control of every single aspect in each scene that is shot in the film. Throughout the film Anderson chose to utilize very realistic and natural sources of light. In my opinion, I believe the director chose to utilize natural light sources to create a whimsical or fairytale aesthetic for the audience, as well as, to create an almost anti-realism film.…
The director and set designer built a lighting scheme that adds to the drama of the play and intensifies the emotions. We often just attribute to the actors or the action. Lighting can make a scene feel happy, sad, mysterious and…
In addition, he also reinforces the ominous theme from the establishing credits and shots by the lack of color and dark coloring as seen in “Mrs. Peregrine’s Home for Peculiar Children”. Another aspect of theme and mood shown through lighting is how he always shows the outcasts as wearing very dark colored clothing and living in darkly colored house whereas the “normal” people are shown in brightly colored house wearing brightly colored…
Within the first five minuets, the audience can see how important the lighting is going to be throughout the movie. In the movie, the director focuses on lighting to portray the mood to the audience. The lighting would appear dim when times were bad, and brighter when good things were happening. For example, when Andy first arrives to the prison it is a very dim day, no sun was visible. As he gets off the bus he appears timid, Red says, “a stiff breeze could blow him over.”…
For example, in Edward Scissorhands, Peg enters the castle to see low key lighting giving the viewer a creepy and horrifying image. There were shadows and dark figures throughout the castle establishing an eerie and yet spooky surrounding. Victor, from Corpse Bride, lets go of the butterfly he was drawing the viewer follows the butterfly throughout the city, showing us the low key lighting in the alleys, giving us an apprehensious mood. In Charlie and Chocolate Factory, Charlie, Mike, Augustus, Violet, and Veruca walk up to the chocolate factory, the door and entrance was low key lit to give the viewer anxiety not knowing what’s on the other side. Unlike the low key lighting showcased in these films, the high key lighting gives a much more comforting experience.…