“We are products of our past, but we don't have to be prisoners of it,” states Rick Warren. Rick Warren is a pastor for Saddleback church, who is also the author of many books such as The Purpose of Driven life. Being prisoner to the past means being stuck on a terrifying or life changing experience that one is unable to let go of. Not letting that memory go traps one in an endless loop where everything is guided in their life to misery. Characters such as Cholly and Pauline are stuck in this loop.…
[is] based on the premise that an epidemic can be reversed, can be tipped, by tinkering with the smallest details of the immediate environment” (155). This “epidemic,” can then be understood as the influence of culture on the sex and love lives of woman. However, despite the effects of this epidemic, women are still free. Their judgment may be clouded by the media, but they continue to behave like individuals should; thinking and acting according to their own beliefs that may be governed somewhat, but not completely by the cultural forces around them. In fact, when women compare themselves to characters the media may portray, they may inadvertently create an idea of how things should be, but this in turn allows for more expression of freedom.…
The past experience of abuse leads to a negative personality. Whether it’s physical or sexual abuse both Bride and Pocola’s pasts have gotten an impact from them. Throughout Pecola’s life, she receives a great amount of physical cruelty from he mother. Pecola’s mother works in a white family, and that same day Pecola went to get something from her mom when she is working but she accidentally knocks over a fresh baked pie: “Mrs. Breedlove entered with a tightly packed laundry bag.…
From the beginning the readers understand that Pecola Breedlove’s main desire is to have blue eyes. That is what she feels would make her beautiful. This idea has come from what society and media has told her what beauty is. She sees people like Shirley Temple on a milk cup with blue eyes and realizes that she can’t relate to the people that she sees on a milk cup because they look nothing like her. This topic is discussed in “Probing Racial Dilemmas in The Bluest Eye with the Spyglass of Psychology”.…
The myth of rebirth is prevalent in agricultural societies from Africa to Asia based on the observation of the cycle of growth. But Pecola’s story is a deviation of this myth since she does not encounter a renewal but deterioration. While remaining unfocused, Morrison’s music moves from the mourner’s bench to a ‘jook’ joint and then to an uptown club in the city. But her central focus is the Black community.…
The relationship between Mrs. Breedlove’s passivity and the white girls’ still, blue eyes is presented as naturally as pink and yellow marking the sunset. Throughout the book, blue eyes are shown to hold both beauty (in their proximity to whiteness) and power (in their ability to see and control). Just as the repeated emphasis on the beauty of Jean Harlow separated Mrs. Breedlove and Pecola, so do the cries of this white girl. Claudia and Frieda see fear strike her as she meets them, as the young girl’s fear…
Pecola, and the other young black girls in the novel, are psychologically damaged by this ideal of beautiful that is defined by the white culture; Morrison tries to give the courage that black is beautiful, but the couraged is beaten down with fear for being black because it is seen as ugly. On page 46, the narrator explains how boys at her school would lower her self-esteem more by mocking other boys to loving Pecola: “...when one of the girls at school wanted to be particularly insulting to a boy...she could say, ‘Bobby loves Pecola Breedlove! Bobby loves Pecola Breedlove!’ and never fail to get reals of laughter from those in earshot, and mock and mock anger from the accused” (46). Even more, the narrator emphasizes that “if those eyes of hers were different, that is to say, beautiful, she herself would be different” (46).…
On another occasion, Pecola develops a preoccupation with Shirley Temple, drinking more milk just so she can look with awe at the image of Shirley Temple on the mug (Morrison 23). This suggests Pecola’s recognition of the white ideal in society as well as her belief that she, like everyone else, must admire the white people that society greatly upholds. Pecola’s wish for blue eyes represents her yearning to be loved by society as the white girls are. However, Pecola soon acknowledges that she will never fulfill this ideal, which, in turn, has a devastating effect on her self-esteem, maintaining her on the path to inevitable destruction…
Furthermore, Pecola Breedlove experiences this rejection of not feeling beautiful because of her skin colour. Pecola Breedlove does not inspire readers with this notion however, it is through her actions and her idea of wanting to change her appearance, and wanting the bluest eyes that her friend Claudia points out this main theme. Claudia “knew she was fond of the Shirley Temple cup and took every opportunity to drink milk out of it just to handle and see sweet Shirley’s face” (Morrison, 23). Pecola cherishes this cup because Shirley Temple dolls have fair skin, blonde curls and bright blue eyes. In addition, Claudia knowing that Pecola has these views chooses to thinks otherwise.…
BLUEST EYE (S) To Pecola, blue eyes symbolize the excellence and bliss that she connects with the white, working class world. They additionally symbolize her own visual impairment, for she increases blue eyes just at the cost of her rational soundness. The "bluest" eye could likewise mean the saddest eye. THE MARIGOLDS Claudia and Frieda connect marigolds with the security and prosperity of Pecola's child. Their stately offering of cash and the staying unsold marigold seeds speaks to a genuine yield on their part.…
Racism and Sexism are both threatening to the children in the the bluest eye. Or in other words to the development of Pecola, Frieda, and Claudia because of society’s standards of sexism and society’s influence of racism had distilled an unrealistic feeling of quantity upon them. However, racism is more harmful to the girl’s self esteem because they start to believe in the lies that society instill on them. That whiteness is beauty and blackness is ugly. This lack of quantity caused Pecola to want blue eyes, Cholly to feel disgust of his own race, Claudia’s jealousy towards Maureen, and Geraldine’s oppression.…
This line also brings to our mind the novel The Bell Jar where the protagonist, Esther too was full of thoughts about cadavers: the execution of the Rosenbergs, pickled babies in bottles etc. Moreover Surfacing also has instances that rings a bell about The Bluest Eye, when the narrator was in the garden gathering vegetables for their dinner she “ …pull up an onion, sliding the loose brown outer skin off from the bulb, white and eye-like.”(47). This instance clearly brings to our mind Pecola’s fascination for blue…
In the very last chapter of the book, she starts talking to herself and believing that she has blue eyes in order to be accepted. However in the end she believes, “Everybody’s jealous. Every time I look at somebody, they look off, ” thinking that she has been given blue eyes and now everyone is jealous of her (page 210). Pecola is negatively affected by society’s exploitation of the standards of beauty.…
(176). Pecola faces the most trauma out of anyone in this story from her rape to her damaged family life, her desire to be beautiful, and finally this pivotal situation with the Soaphead Church and his dog. This has distorted her perception of reality. She believes that having blue eyes could somehow fix what has gone wrong in her life. After this she is convinced that she has blue eyes and is able to suppress and overlook her traumatic past.…
The evil of fulfillment is Pecola’s constant effort of trying to gain something that 's not realistically possible. Telling herself she has blue eyes is just a way she believes she has some type of beautiful trait. Pecola’s desire for blue eyes can never be achieved; because deep down she only desires to be beautiful and no one has ever told her. Instead she was hated for her ugliness which was the color of her skin. Racism is important when understanding why Pecola ended up the way she did.…