Wordsworth's Diviner Blest

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A nationalistic plan was perpetually in play. For example, John Harris' Geographic Amusement (1809) embodies, on the two its slipcover and on the board itself, the four corners of the world with romanticized Europe obviously to finish everything (figures 1 and 2). A detail from a similar diversion compares pictures of French and English "eaters": the Frenchman (space number 24) eats "soup-small, frogs, and plate of mixed greens" (players who arrive here must "Pay two to the pool"); the Englishman (number 25) "amuses on broil hamburger and plum pudding" (players who arrive here "Get one from the pool"). Patriotism could be made fun, and this is a critical part of such recreations: as in the detonating prevalence of nursery rhymes, the anxiety …show more content…
In his "Tribute," Wordsworth's "Diviner blest" exists in a provocative strain with a somewhat extraordinary picture of the tyke as the "little On-screen character" he is to end up, "fit[ting] his tongue/To discoursed of business, love, or strife" (ll. 97-102). What's more, in book five of The Prelude, the tyke wonder "Caused by these excessively productive circumstances" is huge, "no Kid,/Yet a diminutive person Man" who "can read addresses upon purity" (ll. 312-13). The Wordsworthian counter-picture happens quickly thereafter, in the figure of the Kid of Winander, suspended in a condition of dynamic innovative plausibility in the midst of a responsive Sort: "now and then, in that quiet, while he hung/Tuning in, a delicate stun of gentle shock/Has conveyed far into his heart the voice/Of mountain downpours" (ll. 406-9). This kid, as it happens, bites the dust youthful, "taken from his Mates… ere he was full ten years of age" (ll. 414-15)— an update that Sentimental youth just manages its fantastical immaculateness at the cost of presence

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