Pasolini's Neo-Realism: The Role Of Humanism In Italy

Pasolini’s neo-realist stylistic technique performed a critical function, proving humanism has failed because it has not resulted in the unification of Italy. During the 14th century, humanism was a social movement that arose from the Renaissance, and changed the way people thought(Fieser). Francesco Petrarc, an important humanist writer, was credited for being the founder of humanism(Fieser). There was a transition from medieval life governed by the Church towards philosophical theories of humanism(Fieser). During the 1300’s in Florence Italy, people’s mentality shifted because they started enjoying Italy more and concentrated less on social issues(Kehoe, Damerow, and Duvall). After the war, Italians realized that they should be knowledgeable on the world related to art, science, and music. Humanism brought the theory that past mistakes can be learned and be relevant to the present which led to a strong inclination to uncover the heritage of Rome. Humanism was a world-centered culture and attracted the upper bourgeoisie such as the middle class(Kehoe, Damerow, and Duvall). The middle class became intrigued in individual …show more content…
These films exposed Italy’s relevant social issues, like the consequences of resistance, war, poverty, and unemployment(Diva). Prior to the screening of Mamma Roma, Pasolini wanted to depict Italy’s true intention towards its people, particularly the working class, and desired this realization to be seen by his audiences. After producing his film Mamma Roma, he lost faith in humanist beliefs, and opposed the adoption of humanism because it would destroy Italy’s civilization(Ferullo). Pasolini exposes the inner rebellion of social communities, and especially that of the working class against the upper bourgeoisie(Wark). In the beginning of the film, Mamma Roma made her first arrival by leading pigs and ridiculing Italy's