The whole film is without sound or dialogue, with the only sounds being background sounds. This allows the viewer to make assumptions on what the verbal communication between George and Meg would be.For example, when George and Meg meet at the end, there is no communication between them, just the action of them coming towards each other and their facial expressions of love. This allows the viewer to imagine what they would say, and how they would say it. The special effects of the trains and the paper give the film depth, while allowing the viewer to feel the connections between the characters and be there witnessing the love story of the two. When the paper planes rally up to push George back to the train station, you hear the rustling of paper, and imagine being there and witnessing it happening. This allows the viewer to discover the content of the film, and lead to discovering the future possibilities their relationship could lead
The whole film is without sound or dialogue, with the only sounds being background sounds. This allows the viewer to make assumptions on what the verbal communication between George and Meg would be.For example, when George and Meg meet at the end, there is no communication between them, just the action of them coming towards each other and their facial expressions of love. This allows the viewer to imagine what they would say, and how they would say it. The special effects of the trains and the paper give the film depth, while allowing the viewer to feel the connections between the characters and be there witnessing the love story of the two. When the paper planes rally up to push George back to the train station, you hear the rustling of paper, and imagine being there and witnessing it happening. This allows the viewer to discover the content of the film, and lead to discovering the future possibilities their relationship could lead