Given that we see real world famous figures such as Serena William in this scene, it can be inferred that Beyonce is holding a gathering of healing for people that have been scalped and dragged by the media. It’s very important to note that in this scene we can see Zendaya, Amandla Stenberg, Quvenzhane Wallis, Winnie Harlow, ballerina Michaela DePrince, and, most poignantly, the mothers of Oscar Grant, Trayvon Martin, Michael Brown, and Eric Garner. Here, We are forced to feel their emotions as they stare into our souls from a run down porch. By strategically adding the mothers of African American boys who had been murdered by police, Beyonce is dead set on making a point to her viewers that is the time to stand up for what is right. Beyonce can be seen as a black feminist leader in this scene as she seems to remind black women that “they are magic, yes, but also...also that they are people too. That they each are uniquely human, capable of hurt, worthy of anger, and able to hope, to love, to live.”
Given that we see real world famous figures such as Serena William in this scene, it can be inferred that Beyonce is holding a gathering of healing for people that have been scalped and dragged by the media. It’s very important to note that in this scene we can see Zendaya, Amandla Stenberg, Quvenzhane Wallis, Winnie Harlow, ballerina Michaela DePrince, and, most poignantly, the mothers of Oscar Grant, Trayvon Martin, Michael Brown, and Eric Garner. Here, We are forced to feel their emotions as they stare into our souls from a run down porch. By strategically adding the mothers of African American boys who had been murdered by police, Beyonce is dead set on making a point to her viewers that is the time to stand up for what is right. Beyonce can be seen as a black feminist leader in this scene as she seems to remind black women that “they are magic, yes, but also...also that they are people too. That they each are uniquely human, capable of hurt, worthy of anger, and able to hope, to love, to live.”