As any paranoiac, the artist should allow these images to reach the conscience, and then do what the paranoiac cannot do: Freeze them on canvas to give consciousness the opportunity to comprehend their meaning (Bell, 1984). Later on, he expanded the process into the Oniric-Critical Method, in which the artist pays attention to his dreams, freezing them through art, and analyzing them as well. As Freud said, “A dream that is not interpreted is like a letter that is not opened (Bell, 1984). Picasso took the opposite approach to art. He inherited the gusto for ugliness, scandal and chaos of the Dada movement and the automatic surrealists (Bell, 1984). Picasso rejected the craft to become primitive, deciding that the ingenuity of childhood is the basis of art (Bell, 1984).
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And, countless other artists from photographers to sculptors flooded into the city (Brahman, Kennan, & Alcaine, 2004).
Some of the greatest Dada artists like Marcel Duchamp, Max Ernst, and Kurt Schwitters either moved to Paris or began exhibiting their work within the city during this time (Brahman, Kennan, & Alcaine, 2004). Many of the images created by these artists alienated the viewer in a manner similar to the first Dadaist cabaret series. The artists placed objects in settings with which they are not normally associated (Brahman, Kennan, & Alcaine,
And, countless other artists from photographers to sculptors flooded into the city (Brahman, Kennan, & Alcaine, 2004).
Some of the greatest Dada artists like Marcel Duchamp, Max Ernst, and Kurt Schwitters either moved to Paris or began exhibiting their work within the city during this time (Brahman, Kennan, & Alcaine, 2004). Many of the images created by these artists alienated the viewer in a manner similar to the first Dadaist cabaret series. The artists placed objects in settings with which they are not normally associated (Brahman, Kennan, & Alcaine,