In Maya Angelou’s poem “I Know Why the Caged Bird Sings”, the caged bird remains oppressed within the confines of its cage. She writes, “But a bird that stalks down his narrow cage can seldom see through his bars of rage” (Angelou 8-11). As said here, the caged bird, having accepted the entrapment he endures every day, twists his yearning for freedom into a blind rage, knowing that freedom is near impossible. This “blind” animosity is conceived by the caged bird as he can “seldom see through his bars of rage” (Angelou 10-11), by which meaning that one's rage can come to darken their image of the world, since their once strongest feeling of longing has now been replaced with a cohesive rage. This occurrence of passion also pertains to the novel Frankenstein. As the caged bird comes to accept his own entrapment, the creature also acknowledges his ill placement in society, explicitly when he determines that the DeLacey family has fled after encountering the creature. He laments to Victor, saying, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; my feelings were these of rage and revenge” (Shelley 137). Here, the creature reveals that as grief overwhelmed him in that moment, a new, overcoming feeling passed unto him: rage. As seen with the future events of the novel, passion drives the creature to destroy Victor, even compelling him to mass murder. This exact passion the creature experiences can become a very defining and driving motive for any one person, or even any group of peoples. As seen, the future these creatures are set upon are defined by another similar humanistic ideal; that people are defined by their
In Maya Angelou’s poem “I Know Why the Caged Bird Sings”, the caged bird remains oppressed within the confines of its cage. She writes, “But a bird that stalks down his narrow cage can seldom see through his bars of rage” (Angelou 8-11). As said here, the caged bird, having accepted the entrapment he endures every day, twists his yearning for freedom into a blind rage, knowing that freedom is near impossible. This “blind” animosity is conceived by the caged bird as he can “seldom see through his bars of rage” (Angelou 10-11), by which meaning that one's rage can come to darken their image of the world, since their once strongest feeling of longing has now been replaced with a cohesive rage. This occurrence of passion also pertains to the novel Frankenstein. As the caged bird comes to accept his own entrapment, the creature also acknowledges his ill placement in society, explicitly when he determines that the DeLacey family has fled after encountering the creature. He laments to Victor, saying, “Cursed, cursed creator! Why did I live? Why, in that instant, did I not extinguish the spark of existence which you had so wantonly bestowed? I know not; my feelings were these of rage and revenge” (Shelley 137). Here, the creature reveals that as grief overwhelmed him in that moment, a new, overcoming feeling passed unto him: rage. As seen with the future events of the novel, passion drives the creature to destroy Victor, even compelling him to mass murder. This exact passion the creature experiences can become a very defining and driving motive for any one person, or even any group of peoples. As seen, the future these creatures are set upon are defined by another similar humanistic ideal; that people are defined by their