The story's plot line is quite mild; in black-and-white terms, it's the story of two young women who part in adolescence, only to meet years later after living in entirely different circumstances and coming to terms with their unavoidable contrast. If this story were told with a second-person narrative, it would simply not work. The story would not function with that narrative type. If it were told with a first-person narrative from the perspective of many differing characters, some amount of intimacy could be achieved, and, certainly, the reader would be supplied with many different points of view, but not in the same depth as the omniscience allows. If it were told with a first-person narrative from the perspective of just one character, conscious depth of that character and on-the-surface descriptions of other characters could be shared with the reader, but not nearly to the same extent that Morrison provides with her narrative choice. With the omniscient narrative, Morrison creates an almost supernatural, subconscious telling of each important character in the story, giving monumental color to the plot line and keeping the reader
The story's plot line is quite mild; in black-and-white terms, it's the story of two young women who part in adolescence, only to meet years later after living in entirely different circumstances and coming to terms with their unavoidable contrast. If this story were told with a second-person narrative, it would simply not work. The story would not function with that narrative type. If it were told with a first-person narrative from the perspective of many differing characters, some amount of intimacy could be achieved, and, certainly, the reader would be supplied with many different points of view, but not in the same depth as the omniscience allows. If it were told with a first-person narrative from the perspective of just one character, conscious depth of that character and on-the-surface descriptions of other characters could be shared with the reader, but not nearly to the same extent that Morrison provides with her narrative choice. With the omniscient narrative, Morrison creates an almost supernatural, subconscious telling of each important character in the story, giving monumental color to the plot line and keeping the reader