For Proctor, that flaw would be his excessive hubris, or pride. This is apparent throughout the play, and can be exhibited in his first description in the stage directions: “[Proctor] has come to regard himself as a kind of fraud. But no hint of this has yet appeared on the surface, and as he enters from the crowded parlor below it is a man in his prime we see, with quiet confidence and an unexpressed, hidden force (1269).” His pride is also ascertained during his interrogation and trial near the end of the play: “‘You will not use me! I am no Sarah Good or Tituba, I am John Proctor! You will not use me! It is no part of salvation that you should use me! (1356).” These quotes convey the pride Proctor possesses in himself, from when he is introduced until near the end of the play, that designate him a tragic
For Proctor, that flaw would be his excessive hubris, or pride. This is apparent throughout the play, and can be exhibited in his first description in the stage directions: “[Proctor] has come to regard himself as a kind of fraud. But no hint of this has yet appeared on the surface, and as he enters from the crowded parlor below it is a man in his prime we see, with quiet confidence and an unexpressed, hidden force (1269).” His pride is also ascertained during his interrogation and trial near the end of the play: “‘You will not use me! I am no Sarah Good or Tituba, I am John Proctor! You will not use me! It is no part of salvation that you should use me! (1356).” These quotes convey the pride Proctor possesses in himself, from when he is introduced until near the end of the play, that designate him a tragic