Nyu's Writing Program Analysis

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My personal interest in NYU’s dramatic writing program stems from an adolescence spent on the fringes of normal. Growing up as the shy, smart black girl in small-town Virginia, I found myself scouring the television or school library desperate to find someone like me, desperate to share in my otherness. But I couldn’t find her. She was trapped in a rejection letter due to her lack of urban flair. Or she was relegated to only providing sassy quips behind the fairer-skinned lead. Luckily, I found a likeness as an undergraduate student at the University of Virginia, a palpable sisterhood amongst my peers. Above all, I found my voice, my calling: writing. An NYU graduate degree gives me the best chance to develop that voice, my passion, into a career in the television or film industry.
NYU appears particularly supportive of fledgling writers like me, who have a passion for storytelling, but do not yet have major writing credits. Because I believe that experience is the best teacher, my main draw to the program is the rigorous structure that allows its students to dive right into writing an assortment of actual
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However, that particular change is slow to affect writers’ rooms or other positions behind the camera. I bring to NYU a unique perspective of the world due to a combination of my race, gender, and an undergraduate degree in the field of psychology. I hope to bring a voice that will be invaluable in the push to stop reducing certain characters to stereotypes. I bring a hardworking and open mind that purposes to create leads that are multi-layered above all. I bring writings that have been influenced by the loneliness and shame I once felt because I could not find representation when I turned on the television. I strive to be that change in the writers’ room, that person that will take extra care of those characters on the fringes of

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