Both are what can be described as narrative architecture as there is an intended message that each cathedral works to get across to it’s visitors. They were each built very much for an intended audience, and still exist to communicate with their guests. Architect of the Thorncrown Cathedral Euine Fay Jones wanted those who entered the space to feel as though they were free to worship the world in which they exist openly, but also under the safety of the strong arches and glass panes (Reed). It is also important to note that they style was also derived from the Gothic style, as exemplified in the presence of the huge flying buttresses. Flying buttresses first began being used in fact in the creation of the Cathedral of Notre Dame to provide extra stability to the enormous building and it’s equally as impressive stain glass windows. The structure had a grand total of three lead architects, considering that the completion of the building took so long. Their names were Jehan de Chelles, Piere de Chelles, and Jehan Rave, and to reiterate, their motive in building the cathedral was always clear. It was to be known at the idea’s conception as “The House of God and the abode of men” (Nagle) and has strive to maintain that image since 1163, when the first stone was laid into place to begin the building
Both are what can be described as narrative architecture as there is an intended message that each cathedral works to get across to it’s visitors. They were each built very much for an intended audience, and still exist to communicate with their guests. Architect of the Thorncrown Cathedral Euine Fay Jones wanted those who entered the space to feel as though they were free to worship the world in which they exist openly, but also under the safety of the strong arches and glass panes (Reed). It is also important to note that they style was also derived from the Gothic style, as exemplified in the presence of the huge flying buttresses. Flying buttresses first began being used in fact in the creation of the Cathedral of Notre Dame to provide extra stability to the enormous building and it’s equally as impressive stain glass windows. The structure had a grand total of three lead architects, considering that the completion of the building took so long. Their names were Jehan de Chelles, Piere de Chelles, and Jehan Rave, and to reiterate, their motive in building the cathedral was always clear. It was to be known at the idea’s conception as “The House of God and the abode of men” (Nagle) and has strive to maintain that image since 1163, when the first stone was laid into place to begin the building