In the film, “Norma Rae”, directed by Martin Ritt, the protagonist’s actions of defiance are being exemplified by the different camera angles. These angles perceive to us of what the director thinks is most important and as viewers we are meant to acknowledge everyone’s point of view. When Norma is in her boss’ office, we get two kinds of shots: three-quarter shots of fellow employees crossed-arms surrounding Norma and her boss as well as a reverse-shot pattern exemplifying their dialogue. Only when Norma stands up to walk away, does the viewer see a medium shot frame in which more of the fellow employee’s body is shown as Norma walks tall against them. Furthermore, as the scene continues, so does her boldness. When she is walking angrily
