Nicolo Barbaro records the interactions between the inhabitants of Constantinople and ‘Turks’ on the twenty-fourth page (the prior twenty-three depicting both the siege and lamentation of citizenry); the author maintains a relatively objective usage of adjectival descriptions, refraining from the emotionally and religiously amplified approach of Thomas the Eparch and Joshua Diplovatatzes, and attempts to convey the event with accuracy. Contained within the pertinent sections of the document are depictions of the ‘Turks’ who “sought out the monasteries, and all the nuns were led to the fleet and ravished and abused by the Turks, and then sold at auction for slaves throughout Turkey, and all the young women were ravished and then sold…” and attempts to construct a visualization of Constantinople posterior to the Ottoman pillage with “all through the day the Turks made a great slaughter of Christians … blood flowed in the city like rainwater in the gutters after a sudden storm…" These descriptions could potentially be construed as excessive and dramatized (comparable to accounts of the
Nicolo Barbaro records the interactions between the inhabitants of Constantinople and ‘Turks’ on the twenty-fourth page (the prior twenty-three depicting both the siege and lamentation of citizenry); the author maintains a relatively objective usage of adjectival descriptions, refraining from the emotionally and religiously amplified approach of Thomas the Eparch and Joshua Diplovatatzes, and attempts to convey the event with accuracy. Contained within the pertinent sections of the document are depictions of the ‘Turks’ who “sought out the monasteries, and all the nuns were led to the fleet and ravished and abused by the Turks, and then sold at auction for slaves throughout Turkey, and all the young women were ravished and then sold…” and attempts to construct a visualization of Constantinople posterior to the Ottoman pillage with “all through the day the Turks made a great slaughter of Christians … blood flowed in the city like rainwater in the gutters after a sudden storm…" These descriptions could potentially be construed as excessive and dramatized (comparable to accounts of the