Neo Marxism In The Cosby Show

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Neo-Marxist Analysis:
An in-depth look into The Cosby Show The Cosby Show was a show for all families to watch; it was a show in which captivated the homes of many families. According to The New York Times, “What’s more, it revived the sitcom on new terms. ‘The Cosby Show’ is often more credited for breaking new ground in the media visibility of African-Americans, laying track for later shows…” (Flanagin. Jake, “Why ‘The Cosby Show’ Still Matters” 2014, P. 1). Also according to the website, IMDb, The Cosby Show first debuted September 20, 1984 and lasted for 8 seasons the show ended April 30, 1992 (P. 1, 2016). While The Cosby Show was on the air, there were a few awards the show had won. For instance, 3 Golden Globe awards, won a Primetime
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In the book, “The Rhetorical Power of Popular Culture Considering Mediated Texts” the author, Deanna D. Sellnow explains what an economic metaphor means, “…to include anything (e.g., Images, language, objects, events, practices) that signifies (sheds light on) something about the culture’s ideas, norms, values, and practices regarding wealth and empowerment.” (2014, P. 118) The Cosby Show demonstrated how it had a special hidden secret, in which it became such a powerful show. According to the article, “The Cosby Show’s hidden power”, this article really explains why the show was very captivating. “Built on humor and moral messages, the program dealt with everything from ear piercings (Theo), getting your children to eat vegetables (Rudy), and your eldest daughter dating someone undesirable (Sondra). With instructions for life dished up with tough love, viewers could never mistake the Huxtables for the Brady Bunch.” (Griffith, Joanne, 2014, P. 1) This show showed people different sides to a normal family. They showed you how Mr. and Mrs. Huxtable raised their children with good morals and values; even though their children did make the wrong decisions, just like any child has done

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