Misogyny and machismo are the platform for this phenomenon in The Brief Wondrous Life of Oscar Wao. Fremio Sepulveda in “Coding the Immigrant Experience: Race, Gender and the Figure of the Dictator in Junot Diaz 's ‘Oscar Wao’” ascertains: “Yunior replicates moreover Trujillo 's macho ideology when he repeatedly reduces Beli to her body, to an object that attracts and demands to be looked at and possessed” (Sepulveda 29). Preexisting machismo in the Dominican Republic is amplified in the novel through Yunior’s narration. Yunior is blatantly misogynistic and sexist; these ideals are reflected in his portrayal of Beli. After Beli acquires her curvaceous figure, Yunior narrates that “Gradually Beli began to see beyond the catcalls and the Dios mio asesina and the y ese tetatorio and the que pechonalidad… it dawned on Beli: Men liked her” (Díaz 93). Yunior’s emphasis on what people call Beli highlights the sexualization and objectification coming from these Latino men, including Yunior himself. Beli is still very young at this age, but she is already being objectified and sexualized because of her gender. The men are intrigued by her “exoticness”: her dark skin and extremely curvaceous body. In the latino culture curves are what distinguish women from girls. It is evident this is a machista attitude seeing as Yunior chooses to describe Beli with spanish …show more content…
This is applicable to Passing, Irene and Clare are both reduced to body parts as well: their eyes and their hair. Irene’s internal and external conflicts prove her to be an unreliable narrator. When Clare visits Irene, she is determined on not allowing her back into the African-American circle but “before Irene could greet her [Irene] had dropped a kiss on her dark curls. Looking at the woman before her, Irene Redfield had a sudden inexplicable onrush of affectionate feeling” (Larsen 65). The “dark curls” are Irene’s physical trait that are directly associated with her African American culture, what Landry refers to as “an exterior testament to her chosen race loyalty” (Landry 39). The fact that Clare specifically chooses to kiss her hair shows that interest in their “black” features. Normally, this kiss would seem as nothing more than a friendly greeting, however that kiss suddenly evokes excessive affection out of Irene. It is Irene’s narration, or interpretation, of that kiss that gives it a sexual undertone. In a way, Irene sexualizes herself because she has an unconscious sexual desire for Clare. To validate those feelings, Irene transfers those desires into that kiss, emphasizing their mutual attraction towards each other’s “exotic” features. The unreliability of the narrators is consequent of the fact that both Yunior and Irene permit their personal ideas to influence and