The first two times that Mersault goes to the beach, he describes the sun and the heat in a peaceful tone stating that it “made [him] doze off” and made him feel “half-asleep”(51,53). Then, a tone shift occurs when Mersault notices the two Arabs at the beach in which Mersault states that “the blazing sand looked red to [him] now”(53). After this tonal shift Mersault views the sun as an oppressing force and in his confrontation with the Arab Mersault expresses that “the whole beach, throbbing in the sun, was pressing on [his] back”(58). By placing both of the effects that the sun has on Mersault, one calming and the other discomforting, in the same chapter, Camus juxtaposes two very different and very powerful effects the sun has on Mersault showing the vast spectrum of influence that Mersault’s environment can have on him. On the whole, Camus uses juxtaposition to spotlight the massive and differing effects that Mersault’s environment can have on
The first two times that Mersault goes to the beach, he describes the sun and the heat in a peaceful tone stating that it “made [him] doze off” and made him feel “half-asleep”(51,53). Then, a tone shift occurs when Mersault notices the two Arabs at the beach in which Mersault states that “the blazing sand looked red to [him] now”(53). After this tonal shift Mersault views the sun as an oppressing force and in his confrontation with the Arab Mersault expresses that “the whole beach, throbbing in the sun, was pressing on [his] back”(58). By placing both of the effects that the sun has on Mersault, one calming and the other discomforting, in the same chapter, Camus juxtaposes two very different and very powerful effects the sun has on Mersault showing the vast spectrum of influence that Mersault’s environment can have on him. On the whole, Camus uses juxtaposition to spotlight the massive and differing effects that Mersault’s environment can have on