The films that shall be discussed in this paper are The Sheriff of Fractured Jaw (dir. Raoul Walsh, 1958), Captain Apache (dir. Alexander Singer, 1971), Chato’s Land (dir. Michael Winner, 1972) and Charley One-Eye (dir. Don Chaffey, 1973). This list is subject to change depending upon the availability of these movies. (In not receiving the same level of interest or acclaim as American westerns, British westerns are generally more difficult to find on DVD/download.)
This paper will explore the extent to which British-produced westerns adhere to the dominant racial conventions of their U.S. counterparts. The particular focus will be on Native Americans, a race frequently