Coles adopted the name Nat Cole. His older brother Eddie was a bass player, he soon joined Coles band, and they made their first recording in 1936 under Eddie’s name. They were also regular performers at a club. Cole, in fact acquired his nickname “King”, performing at a jazz club, he also was a pianist in a national tour of Broadway Theaters, and legendary Eubie Blake’s revue,” Shuffle Along”, when it suddenly failed in Long Beach, California, Cole decided to remain there. He would later return to Chicago in triumph to play such venues as the famed Edgewater Beach Hotel. Cole’s first mainstream vocal hit was in 1943 recording of one of his compositions “Straighten Up and Fly Right” based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for his fledged Capital Records label. It sold over 500,000 copies. In 1946, Coles trio paid to have their own 15 minute radio program, it was called, “King Cole Trio Time”, it became the first radio program sponsored by black performing artist. During these years the trio recorded many transcription recordings, which were recordings made in the radio studio for the broadcast. Later, they were used
Coles adopted the name Nat Cole. His older brother Eddie was a bass player, he soon joined Coles band, and they made their first recording in 1936 under Eddie’s name. They were also regular performers at a club. Cole, in fact acquired his nickname “King”, performing at a jazz club, he also was a pianist in a national tour of Broadway Theaters, and legendary Eubie Blake’s revue,” Shuffle Along”, when it suddenly failed in Long Beach, California, Cole decided to remain there. He would later return to Chicago in triumph to play such venues as the famed Edgewater Beach Hotel. Cole’s first mainstream vocal hit was in 1943 recording of one of his compositions “Straighten Up and Fly Right” based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for his fledged Capital Records label. It sold over 500,000 copies. In 1946, Coles trio paid to have their own 15 minute radio program, it was called, “King Cole Trio Time”, it became the first radio program sponsored by black performing artist. During these years the trio recorded many transcription recordings, which were recordings made in the radio studio for the broadcast. Later, they were used