This is shown through a third person omniscient point of view while the story is told, getting a deeper perspective by knowing the major character's state of mind. An example of this point of view is shown when Doerr is describing a preference of Werner's, saying "Werner’s favorites are five faded frescoes on the ceilings of the grandest upper rooms," (Doerr 7). This quote shows that the author does ponder the characters feelings, showing third person omniscient. This point of view greatly contributed to the narrative style of All the Light We Cannot
This is shown through a third person omniscient point of view while the story is told, getting a deeper perspective by knowing the major character's state of mind. An example of this point of view is shown when Doerr is describing a preference of Werner's, saying "Werner’s favorites are five faded frescoes on the ceilings of the grandest upper rooms," (Doerr 7). This quote shows that the author does ponder the characters feelings, showing third person omniscient. This point of view greatly contributed to the narrative style of All the Light We Cannot