But there’s more! Punctuation can serve to add interjections into the poem. Let’s look at what might be the most prominent insertion of punctuation in the third line of the fifth stanza, where two dashes sandwich the words “still, trying.” By inserting this little interjection in the phrase “the Erebus I keep you in…/I make between my slumber and my waking,” the speaker points out that she’s been attempting to keep her mother’s spirit in this little pocket of darkness, but so far, the spirt has resisted. The “still, trying” emphasizes the narrator’s determination to reach her goal. Without putting the words “still, trying” as an interjection, as seen in the first part of the poem, the line reads “the Erebus I keep you in, and still trying/ not to let go.” This, in turn, gives a sense that the speaker has successfully trapped her mother’s spirit, but now that the speaker’s having second thoughts, she’s attempting to dissuade herself from setting the spirit
But there’s more! Punctuation can serve to add interjections into the poem. Let’s look at what might be the most prominent insertion of punctuation in the third line of the fifth stanza, where two dashes sandwich the words “still, trying.” By inserting this little interjection in the phrase “the Erebus I keep you in…/I make between my slumber and my waking,” the speaker points out that she’s been attempting to keep her mother’s spirit in this little pocket of darkness, but so far, the spirt has resisted. The “still, trying” emphasizes the narrator’s determination to reach her goal. Without putting the words “still, trying” as an interjection, as seen in the first part of the poem, the line reads “the Erebus I keep you in, and still trying/ not to let go.” This, in turn, gives a sense that the speaker has successfully trapped her mother’s spirit, but now that the speaker’s having second thoughts, she’s attempting to dissuade herself from setting the spirit