The white marble represented white Aryan Italians, statues of racism and tyranny unlike that of antiquity. These same types of statues were found at the Palazzo della Civiltà Italiana in EUR. The statues equally white and austere symbolize many different occupations, or the corporations that made up the Italian parliament. This building, known as the Colosseo Quadrato, is the pinnacle of fascist architecture for the white marble and unity. Mussolini’s obelisk was another effort to replicate the former power and glory of ancient Rome and a way of trying to physically place himself in Rome’s history. The obelisk is like that of the others from ancient Rome but the design has a distinct fascist influence. The single tallest pillar, the superior leading pillar, has Mussolini’s name engraved on it but the base is surrounded with what appears to be smaller pillars. This is not entirely the same image but is strongly similar to fascia, the fascist symbol, all in oppressive and overwhelming white. In the context of Mussolini’s city, his stadium, and his obelisk, white becomes synonymous with
The white marble represented white Aryan Italians, statues of racism and tyranny unlike that of antiquity. These same types of statues were found at the Palazzo della Civiltà Italiana in EUR. The statues equally white and austere symbolize many different occupations, or the corporations that made up the Italian parliament. This building, known as the Colosseo Quadrato, is the pinnacle of fascist architecture for the white marble and unity. Mussolini’s obelisk was another effort to replicate the former power and glory of ancient Rome and a way of trying to physically place himself in Rome’s history. The obelisk is like that of the others from ancient Rome but the design has a distinct fascist influence. The single tallest pillar, the superior leading pillar, has Mussolini’s name engraved on it but the base is surrounded with what appears to be smaller pillars. This is not entirely the same image but is strongly similar to fascia, the fascist symbol, all in oppressive and overwhelming white. In the context of Mussolini’s city, his stadium, and his obelisk, white becomes synonymous with