A large number of white songwriters began producing pseudo-blues. Jerome Kern, a white film composer, started borrowing musical material from black songwriters such as Maceo Pinkard. When Kern wrote jazz music, he would place it in the films that he was in the progress of creating. Some of those songs included “Left All Alone Blues” which starred in Kern’s film The Night Boat and “Atlantic Blues” which starred in Kern’s film Lido Lady. But just as white songwriters responded to the blues, using flatted thirds and fifths and related harmonies in their melodies, black songwriters adapted their themes and tonality to the thirty-two-bar form. Black songwriters did not agree with white songwriters creating songs that involved jazz or the blues. These two genres of music were really important to black musicians because the songs they wrote represented their fight for
A large number of white songwriters began producing pseudo-blues. Jerome Kern, a white film composer, started borrowing musical material from black songwriters such as Maceo Pinkard. When Kern wrote jazz music, he would place it in the films that he was in the progress of creating. Some of those songs included “Left All Alone Blues” which starred in Kern’s film The Night Boat and “Atlantic Blues” which starred in Kern’s film Lido Lady. But just as white songwriters responded to the blues, using flatted thirds and fifths and related harmonies in their melodies, black songwriters adapted their themes and tonality to the thirty-two-bar form. Black songwriters did not agree with white songwriters creating songs that involved jazz or the blues. These two genres of music were really important to black musicians because the songs they wrote represented their fight for