In addition to being forced to sing and hear music, the prisoners also make their own music. Prisoners of the Holocaust write their own music and sing it together for a sense of brother-hood and not being alone in these horrific camps. The music is mainly produced by amateur prisoners who had little experience with music. However, as time went on, and the Nazi’s start capturing more and more people, so the music starts to expand because there is a wider range of musicians detained in the camps. The biggest growth of music during the Holocaust is from 1942 to the end of the concentration camps. In some cases, music is illegal in the Holocaust. When the music was connected with things forbidden in the camps, or it was political; that is when it was illegal. Even though some music is illegal in the camps, most prisoners still sing the illegal songs secretly in hopes of not getting caught. In camp Borgemoor on November seventh of 1993, prisoners decide to organize their own music concert in secret. Any large concert is supposedly said to be organized with approval of the camp director. The concert secretly organized by the prisoners takes place on August twenty-seventh of nineteen ninety-three. As a result, nightly beatings take place by …show more content…
This event was the revolution of music during the Holocaust, and it is seen as a sense of encouragement to the prisoners. Such concerts were also seen as amusing to the prison guards and they began to hold them regularly in some concentration camps. Another result of the secret is the installation of a cinema at a block in Camp Buchenwald. A total of 27 concerts are held at the cinema in short span of approximately a year and a