Moving To Music Analysis

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Whether we are opera singers or shower-wailers, ballet dancers or awkward shufflers, we all understand how music makes us feel, and more importantly, makes us move. Moving to music is so much a part of the human experience that it seems innate to us as a species. A recent study supports this, showing that fetuses react to music with increased motion, and in some cases, open their mouths as if to sing. Once out of the womb, this response only grows: a catchy tune makes hips swing and toes tap, and in certain situations, heads bang.

The music that moves us is itself a product of movement. As a musician who is a tactile learner, I’m keenly aware of the way a piece feels as I play it. Despite years of piano teachers telling me to read the page in front of me while I play, my eyes habitually wander to my hands, where the music is really happening. This gap between reading and performing music keeps me from fully expressing my musical ideas.

As a way to bridge this divide, I am trying to create a simple instrument that translates movement directly into music, using motion to capture melodic ideas and expressions. I got this idea while watching a lively orchestra conductor, who sometimes overshadowed the players so much that he seemed to be dancing alone, pulling notes through the air with his baton. Enchanted by how
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To a computer everything is math, including music and movement. Every note and motion can be tracked, stored, and broken down into a set of variables, based on information from an outside source, such as a computer mouse or touchpad. I am currently taking advantage of this relationship by creating a web-based application that synthesizes music based on interactions with the cursor. The program, once completed, will play notes as the mouse is pressed, with unique pitch and tone determined by the position and motion of the

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