Every western has a ‘hero’, or as Willian S Hart put it “the good bad man”(). This hero is almost always male with a volatile personality and a proclivity towards violence. Along these lines they are also typically “masculine persons of integrity and principle - courageous, moral, tough, solid and self sufficient, maverick characters”(). Continuing along the classical narrative design, there are often external forces pushing the action forward. Typically the main character is a hero for hire, and takes jobs for the shallow goal of acquiring more money. However, there is usually a larger goal in mind: the fight for justice, which typically involves saving the damsel in distress. Eventually, while along his journey, the hero for hire is often faced with a moral dilemma. He must decide if he wants to continue to fight for good or fight for the forces of evil instead. These elements, and many others, recur time and time again and are what comprise the fabric of the western genre. As expected, many of these elements mentioned above appear in both Django and Firefly. Both feature the common mise-en-scene elements
Every western has a ‘hero’, or as Willian S Hart put it “the good bad man”(). This hero is almost always male with a volatile personality and a proclivity towards violence. Along these lines they are also typically “masculine persons of integrity and principle - courageous, moral, tough, solid and self sufficient, maverick characters”(). Continuing along the classical narrative design, there are often external forces pushing the action forward. Typically the main character is a hero for hire, and takes jobs for the shallow goal of acquiring more money. However, there is usually a larger goal in mind: the fight for justice, which typically involves saving the damsel in distress. Eventually, while along his journey, the hero for hire is often faced with a moral dilemma. He must decide if he wants to continue to fight for good or fight for the forces of evil instead. These elements, and many others, recur time and time again and are what comprise the fabric of the western genre. As expected, many of these elements mentioned above appear in both Django and Firefly. Both feature the common mise-en-scene elements