This enlightening tale of the yamanba birthing, nurturing, and feeding others is placed at a significant point in Naoe’s journey. Naoe has newfound freedom to enjoy life and explicitly enjoy food; something that she was unable to do for a long time. Like the yamanba smiles as her children dance around her (119), Naoe experiences joie de vivre when devouring the euphoric meal at the Ruby Restaurant (146-48). The yamanba’s tale is akin to Naoe’s eating for herself, yet stating, “I eat for Muasaki. I eat for Keiko” (148). As the yamanba sucks up water in order to nourish her children, Naoe devours food so she may ‘eat’ and thus figuratively ‘feed’ her daughter and granddaughter through her experience. Naoe’s actions, emblematic of breastfeeding, blurs divisions between mother and child, between the ‘nourisher’ and the nourished; as Naoe eats, she simultaneously feeds. Carole Counihan emphasises that “women are food to the fetus and infant, and the breasts can be sources of both sexual pleasure and food” (Aoyama 6). Correspondingly, Weiskopf
This enlightening tale of the yamanba birthing, nurturing, and feeding others is placed at a significant point in Naoe’s journey. Naoe has newfound freedom to enjoy life and explicitly enjoy food; something that she was unable to do for a long time. Like the yamanba smiles as her children dance around her (119), Naoe experiences joie de vivre when devouring the euphoric meal at the Ruby Restaurant (146-48). The yamanba’s tale is akin to Naoe’s eating for herself, yet stating, “I eat for Muasaki. I eat for Keiko” (148). As the yamanba sucks up water in order to nourish her children, Naoe devours food so she may ‘eat’ and thus figuratively ‘feed’ her daughter and granddaughter through her experience. Naoe’s actions, emblematic of breastfeeding, blurs divisions between mother and child, between the ‘nourisher’ and the nourished; as Naoe eats, she simultaneously feeds. Carole Counihan emphasises that “women are food to the fetus and infant, and the breasts can be sources of both sexual pleasure and food” (Aoyama 6). Correspondingly, Weiskopf