As you grow older your views on what you fear change. As a child, I developed a fear of little things such as ghost, the dark, etc. Once I grow into an adults I developed a of things observed on a daily. Americans between the age group of children and adolescents introduce themselves to bigger fears by watching movies that replay on the already experienced fears. For example: Freddy Krueger, Jason, Vampires, Werewolves, etc. The movies being watched are believed to be based on serial killers, who become glorified for the crimes committed and made into huge stars that we love. In the film Halloween, a little boy name Michael Myers kills his sister at the age of six. Twenty years later Michael …show more content…
Michael becomes intrigued with Laurie because she was completely different from any women he visualized. She present evidence of being brave by walking up the steps to the Myers residence, even saying she is not afraid of the house. She may not have known Michael cowardly sat in the house, but she did not cringe when she walked by. When she caught a glimpse of him she tried to convince herself, she was not going crazy like everyone implied. The possibility of Laurie having relations with Michael could be the reason he did not kill her 20 years ago. He generates an idea of who she could be but she never understand why he is following her. He follows her around but does not want to get to close to Laurie yet because she demonstrates signs of being the ultimate kill prize. He wants to stalk her first so that she fear him and when she finally gives in she kills him, but she's the opposite. She becomes brave and she fights him off ,while also being a hero for the children. Everyone around her dies because they create some connection to her. By killing off all her friends there is no possible person she can get help from except …show more content…
In the book Monsters in America Poole states, "Filmmakers seeking to transform social nightmares into successful film franchises are not the equivalent of social prophets" (Poole 181).Directors wanted to keep the monsters because they played on what outline social issues. Directors plot twisted actual serial killer stories and made movies about them, which keeps creating a trend. In Monster in America Poole states, "Perhaps monsters are made in society more purposefully than we realize. In fact, perhaps our own beliefs about monsters and their intractable nature help to produce the monsters we fear the most" ( Poole 164). America create the monster's by giving them power over our consciousness and implanting fear, which turns them into figments of our imagination, who control our deepest fears. Michael plays a caucasian man hiding behind a mask because he wants to hide the demon inside. He reveals the demon that lies beneath every time he stabs someone. For example, when Laurie pulled his mask up he stop trying to kill her just to cover up what he look like. He revealed his deformity to society because he presented the audience with visible scars. Maybe he wears the mask because he undermines what he looks like now compared to the six year old killer that he is. Every one in society wears a mask in order to mask the emotion that lies beneath, so they can appear to be normal to