Then, the scene immediately cuts to people overlooking on the geisha with worry. Even though they are deep inside the alley, she’s shown in the light of the street, showing that the people have noticed her and her true “wickedness” has been revealed to the public. The lightning in this scene would play off of the dark outdoor alleyway, and would be strategically placed to show the transformed hierarchy between the characters through the casting of dark/light shadows. This placement of the actors would play off of their heights and shape language to create triangles, signaling something dangerous is to come. When onlookers come to check on Mameha, viewers will get the sense (though the actress’s acting) that Mameha is about to tear Hatsumomo down. A low angled shot combined with high key lighting portrays Mameha as slightly villain like, as it’s clear that she is the antagonist of Hatsumomo’ story. Her craftiness and intelligence are exemplified through her one
Then, the scene immediately cuts to people overlooking on the geisha with worry. Even though they are deep inside the alley, she’s shown in the light of the street, showing that the people have noticed her and her true “wickedness” has been revealed to the public. The lightning in this scene would play off of the dark outdoor alleyway, and would be strategically placed to show the transformed hierarchy between the characters through the casting of dark/light shadows. This placement of the actors would play off of their heights and shape language to create triangles, signaling something dangerous is to come. When onlookers come to check on Mameha, viewers will get the sense (though the actress’s acting) that Mameha is about to tear Hatsumomo down. A low angled shot combined with high key lighting portrays Mameha as slightly villain like, as it’s clear that she is the antagonist of Hatsumomo’ story. Her craftiness and intelligence are exemplified through her one