In the “Battle Royal” the narrator acquires a briefcase, which is additionally joined with the envelopes’ dream (associated likewise to Bledsoe's letters of recommendation - another feature of this specific multi dimensional image). Both the apparently unlimited envelopes and the briefcase re-show up toward the end, the previous as wood and the last as a sort of mystical pack. Once more, the picture is sufficiently comparable to its partner to shading the last with a more profound, translucent tone. The impact is not consecutive but rather synchronous: the first picture is summoned as the peruser finds its second, or third, or fourth resound, and every occasion skips off each other, with the goal that no single picture remains alone.
