The British are seen as gentlemanly fops or sadistic monsters, and the Americans come in two categories: brave or braver. Those who have a serious interest in the period will find it a cartoon; those raised on summer action movies will find it more stimulating than most.
Mel Gibson stars, in a powerful and effective performance, as a widower named Benjamin Martin with seven children. He saw enough of battle in the French and Indian Wars, and was frightened by what he learned about himself. He counsels a treaty with King George. Asked about his principles by an old comrade in arms (Chris Cooper), he replies, "I'm a parent. I haven't got the luxury of principles.'' But he gets some in a hurry, after the monstrous British Col. William Tavington …show more content…
A role for a black sailor was found in the segregated U.S. Navy submarine corps in "U-571'' (he was a mess orderly). Now we have a black slave who fights beside white men (even those who hate him) because Gen. Washington has promised freedom for all slaves who fight for a year. Good enough, but why not go all the way and give this character dialogue and a real role to play--instead of demeaningly using him only to count down the months and days until his freedom? When the former slave finally gets two whole sentences in a row, at the end, he quotes Martin's son: "Gabriel said if we won the war, we could build a whole new world. We could get started right here with your home.'' Uh-huh. Why not get started with your own home? The movie offers light comic relief to ease the tension (Martin's handmade chairs keep collapsing beneath him), and a love story (Gabriel falls for Ann, a plucky colonial girl who catches his eye with a patriotic speech). Ann's father is a deaf man who misunderstands things. When Gabriel asks permission to write Ann, the old man at first takes offense. Then he says, "Oh ... write her! Of course you may.'' What did he think Gabriel had asked? Meanwhile, there's even female company for the hard-bitten Benjamin Martin, who asks the sister of his dead wife, "May I sit here?'' Her answer got laughs in the screening I attended: "It's a free country--or at least, it will be.'' These passages and others (including the Dead Man Who Is Not Really Dead) have been trucked directly into "The Patriot'' from the warehouse of timeless cliches. They betray the movie's lack of serious intentions. It basically wants to be a summer action movie, with a historical gloss. At that, it succeeds. I enjoyed the strength and conviction of Gibson's performance, the sweep of the battle scenes, and the absurdity of the British caricatures. None of it has much to do with the
Mel Gibson stars, in a powerful and effective performance, as a widower named Benjamin Martin with seven children. He saw enough of battle in the French and Indian Wars, and was frightened by what he learned about himself. He counsels a treaty with King George. Asked about his principles by an old comrade in arms (Chris Cooper), he replies, "I'm a parent. I haven't got the luxury of principles.'' But he gets some in a hurry, after the monstrous British Col. William Tavington …show more content…
A role for a black sailor was found in the segregated U.S. Navy submarine corps in "U-571'' (he was a mess orderly). Now we have a black slave who fights beside white men (even those who hate him) because Gen. Washington has promised freedom for all slaves who fight for a year. Good enough, but why not go all the way and give this character dialogue and a real role to play--instead of demeaningly using him only to count down the months and days until his freedom? When the former slave finally gets two whole sentences in a row, at the end, he quotes Martin's son: "Gabriel said if we won the war, we could build a whole new world. We could get started right here with your home.'' Uh-huh. Why not get started with your own home? The movie offers light comic relief to ease the tension (Martin's handmade chairs keep collapsing beneath him), and a love story (Gabriel falls for Ann, a plucky colonial girl who catches his eye with a patriotic speech). Ann's father is a deaf man who misunderstands things. When Gabriel asks permission to write Ann, the old man at first takes offense. Then he says, "Oh ... write her! Of course you may.'' What did he think Gabriel had asked? Meanwhile, there's even female company for the hard-bitten Benjamin Martin, who asks the sister of his dead wife, "May I sit here?'' Her answer got laughs in the screening I attended: "It's a free country--or at least, it will be.'' These passages and others (including the Dead Man Who Is Not Really Dead) have been trucked directly into "The Patriot'' from the warehouse of timeless cliches. They betray the movie's lack of serious intentions. It basically wants to be a summer action movie, with a historical gloss. At that, it succeeds. I enjoyed the strength and conviction of Gibson's performance, the sweep of the battle scenes, and the absurdity of the British caricatures. None of it has much to do with the