Also, this artwork looks like a middle of the afternoon. However, there is no people in the image, which mentions “his hyperrealist work seems strangely ambiguous: not a single person can be seen, either in the parking lot or in the fast-food restaurant” (Goings). The another artwork which is photo realism, John Baeder’s John’s Diner with John’s Chevelle, oil on canvas, 2007 and this painting has a car front of “John’s Diner, ” and this painting has realistic of the photograph than a painting. Steven Heller explains this artwork in his article Why Does John Beader Paint Diners, which he paints many diners in Photorealism style. He said, “He is a master of photorealism, but his work is more than mere technique and process” (Heller). This style takes a long time because each artwork must look like a photograph. According to the-artists.org, “The challenge for photorealist artists has always been to replicate a scene with the bold details that they’ve seen, while vividly representing the changes and motions in the photo the way it was frozen in time” and each picture must look real just like a viewer is over the place in
Also, this artwork looks like a middle of the afternoon. However, there is no people in the image, which mentions “his hyperrealist work seems strangely ambiguous: not a single person can be seen, either in the parking lot or in the fast-food restaurant” (Goings). The another artwork which is photo realism, John Baeder’s John’s Diner with John’s Chevelle, oil on canvas, 2007 and this painting has a car front of “John’s Diner, ” and this painting has realistic of the photograph than a painting. Steven Heller explains this artwork in his article Why Does John Beader Paint Diners, which he paints many diners in Photorealism style. He said, “He is a master of photorealism, but his work is more than mere technique and process” (Heller). This style takes a long time because each artwork must look like a photograph. According to the-artists.org, “The challenge for photorealist artists has always been to replicate a scene with the bold details that they’ve seen, while vividly representing the changes and motions in the photo the way it was frozen in time” and each picture must look real just like a viewer is over the place in