In this portion of her text she also draws a line between the current text called An Artist Looks at Ethnographic Exhibitions, Sacred Circles, and her work Fragments (1976-78). Fragments is a archival installation which consisting of 186 gouache drawings, 210 potsherds, photographs, charts, diagrams and handwritten and typed text. This chapter is crucial to be read, it is quite dense and full of information that I believe really determines her position as an artist and everything else that she chooses to represent herself with as a human being. It is packed with parallels being drawn form herself, different artists such as Maya Deren, and Henry Moore, as well as Western culture, Post-modernism, and more. It resonates the conflicting the self
